This series begins with a question: why do our cities privilege what is straight, functional, and predictable? It explores how urban design has favored rational, rigid structures, geared toward control and efficiency, while leaving little room for the sensory, the organic, the improvised.

What if parks rebelled at night, and by morning we found them scattered across the city? These works imagine an urbanism where the body, plants, shade, and rest carry as much weight as circulation or order. They attempt to rehearse other ways of inhabiting, more porous, more alive, more open to our gut, to our animal side.